国四虎影永久去哪里了,日韩精品电影在线一区二区,久久精品国产亚洲av蜜屁股,亚洲成年人黄色小说网站

四重奏

類型:愛情 日劇  地區(qū):法國  年份:1981 

華為云

劇情簡介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

猜你喜歡

  • HD

    大煙山之戀:國家公園浪漫史

  • HD

    九十歲。有什么可喜可賀的

  • HD

    愛在39度

  • HD

    魔法壞女巫

  • HD

    你的錯誤2024

  • HD

    我們同在

  • HD

    外語

  • 全73集

    戴珍珠耳環(huán)的少女

  • HD

    女孩終究是女孩

  • HD

    墨菲

  • HD

    老師的善意謊言

哪里有免费黄色av| 国产精品美女作爱视频| 欧美亚洲专区一区二区| 欧美色欧美亚洲另类在线视频| 久久久久久国产综合精品| 色婷婷亚洲蜜桃久久| 99久久无色码中文字幕人妻| 欧美日韩一级片在线| 亚洲午夜精品久久久久久浪潮| 亚洲国产精品午夜福利久久| 五月婷婷六月丁香免费视频| 日韩码一码二码三码区别| 激情综合婷婷丁香五月俺来也| 人妻熟女的高跟丝袜艳遇| 中国女人free性hd国语| 久久久精品视频地址| 亚洲av成为人一区二区| 少妇人妻偷人精品无码视频| 免费看亚洲精品大片| 欧美成人3p视频在线观看| 日本精品福利在线视频| 国内精品国产三级国产av万事达| 亚洲综合精品欧美日韩一区二区三区91| 欧美日韩一区二区三区大片在线观看| 精品久久久久一区二区三| 国产亚洲精品国产福APP| 亚洲一区二区三区中文字幕一本| 99久久国产亚洲精品美女| 99国产精品一区二区三区| 精品无码中文字幕在线| 久久久久久久久久福利高潮| 久久国产午夜福利大片| 高清国产午夜精品久久久久久| 欧美成人3p视频在线观看| 精品久久久久精品三级18| 日韩精品欧美亚洲国产最大| 亚洲综合精品欧美日韩一区二区三区91| 国产av剧情亚洲精品| 三点水一个色是什么字| 国产日韩一区在线观看视频| 漫画韩漫画免费在线观看|